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Petrovaradinska tvrđava kroz svoju 300 godišnju istoriju, iz fortifikacijskog objekta jednog od najvećih u Evropi, građenog po projektima francuskog vojnog arhitekte Vobana, u funkciji odbrane Evrope od turske imperije, prerasla je u kulturno središte i turističku znamenitost jednog od najlepših gradova Jugoslavije i Srednje evrope, Novog Sada.
Rušenjem dva novosadska mosta, navodno strateška po poimanju Nato-pakta, grad je izgubio svoj identitet i duhovnu sponu sa kulturnim Svetom. 70 umetničkih ateljea sa svojim pregaocima koji su težili da ovaj objekat uključe u kulturnu baštinu Evrope pod pokroviteljstvom Unasco-a, zanemela su. Gibraltar na Dunavu sa svojim kulturnim sadržajima i težnjom da se svojim humanizmom priključi Evropi odsečen je ovim varvarskim činom od Novog Sada, Srpske Atine, grada koji je njegova biološka celina. Umetnici Novog Sada ni sanjali nisu da su strateška meta Letača apokalipse u novi milenium. |
In its three hundred years old history Petrovaradin fortress has grown from one of the biggest fortifications in Europe, built on the project of the French architect Vauban, and used for defence against the Ottoman empire, into a cultural meeting place and a tourist site in Novi Sad, one of the most beautiful cities in Yugoslavia and Central Europe.
With the destruction of the two bridges in Novi Sad, supposedly of strategic importance according to the NATO clames, the city has lost its identity and its spiritual connection with the rest of the world. 70 art studios which worked towards the inclusion of this remarkable building into the cultural wealth of Europe under the protection of UNESCO have now fell silent. This Gibraltar on Danube with its cultural events and its aspirations to join Europe in its humanity, has by this barbaric act been cut off from Novi Sad, Serbian Athens, the city of which it is biological part. The artists of Novi Sad could never dream that once they would be strategic target to the fliers of Apocalipse in the new millenium. |
